Art is fascinating in the way that it allows us to peer into the mind of an artist, see the world through their eyes, through the lens of their creativity. But there’s something very special about an artist allowing us to peek into their memory, especially a life changing one like this.

Set your eyes on action images that transformed early 20th century photography.

In early 2019, an East Carolina University student, Jacquelyn Hewett, studied one of the figureheads in our Collection for her American Maritime Material Culture history class. The information she uncovered was enlightening and indicated that a change in the attribution of ship name was in order. While confirming her research, I uncovered the story of a wonderfully awesome woman I thought I would share with you!

In looking at this work, the concept of connection comes to mind over and over. I thought about what connection means to me and my mind immediately went to technology – WiFi, cell service, texts, and email.

This is where our colossal eagle figurehead was sitting in 1933 when buyers for the Museum found it. Wouldn’t it be fun to walk through this store? Think of all the treasures you might find.

In 1850, in an effort to demonstrate American advances in shipbuilding to the world, a group of New York yachtsmen formed a plan to send a yacht to England to race against British boats. The task of designing the boat was given to George Steers, one of New York’s leading naval architects and the designer of the port’s fastest pilot boats.

Amphorae are terracotta containers used for trade as their unique shape allowed them to fit snugly together in a ship’s hull. Since the Neolithic period, this shape has been in use and migrated to Europe during the first millennium BCE.

The title of this work, “Marine Totem with Osprey Nest”, carries a reverence. The idea of a totem invokes a spirituality, rooted in the indigenous belief of humankind’s kinship with nature. More secularly, this concept describes something that acts as a respected symbol.